CD Review
    Delgado Brothers
    A Brother's Dream
    (Bell Asher Records 10724)
    by Gordon Baxter
    Review date: September 2003
    "Keeping the Blues Alive Award"
    Achievement for Blues on the Internet
    Presented by The Blues Foundation
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    blues picture LA's Delgado Brothers made their recording debut back in the 1987. Since that time the band--based around brothers Steve, Joey and Bob--have been sighted on a regular basis, garnering favorable reviews. Until very recently, however, recordings have been few and far between, and 2003 sees the release of their latest disc, "A Brother's Dream."

    The album gets off to a good start with "Mama's Crying." The band conjure up a sound somewhat akin to a hybrid of Jimi Hendrix and Steely Dan, all laid over a funky Neville Brothers style voodoo backbeat. The Delgado Brothers are no one-trick pony, however, and incorporate a range of styles in their music. The ensuing "Joy You Bring," for example, slows the pace down, and adds a more Gospel based feel. This one features some fine Hammond playing from Dave Kelley, nicely punctuated by Brother Joey's guitar fills.

    Although not a blues band as such, the Delgado Brothers do include blues in their repertoire. "Lost In The Shuffle" is a nicely laid back shuffle(!), featuring murky sounding harp, and the slide guitar solo sounds almost Hawaiian. The only other near blues tune is "Betty Sue Boogaloo." A more uptempo number driven along by the drums and led from the front by the call and response between guitar and keyboards, this one sounds like it could be a real crowd pleaser at live shows.

    The soulful/funky side of the band is also on display on several cuts. The most soulful tune is "Let's Go," which has an underlying beat not dissimilar to Robert Ward's "Trying My Best (Not To Never Do Wrong)." When it comes to funk, New Orleans seems to be the watchword for tracks like "Do You See Me," which hints at the Meters.

    In addition to their more danceable work, the Brothers also have a mellow side. In places the sound veers close to some of the work by the Eagles. This is especially true on "What's It Gonna Be," "Picture Of You," which features some nice dobro, and "Jennie," with its military marching drumbeat. The closing track, "Talk To My Friend," is also in a similar vein.

    "A Brother's Dream" is something of a grower. Initial impressions are of a job well done, without ever being truly outstanding. Repeated plays, however, reveal that the band are a very tight unit, and despite the fairly eclectic style have a fairly well-defined sense of purpose. One for listeners with a slightly broader taste.

    www.delgadobrothers.com

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