CD Review
    Dave MacKenzie
    Solo
    (Hey Baby! Records, HB1006)
    by Gordon Baxter
    Review date: June 2003
    "Keeping the Blues Alive Award"
    Achievement for Blues on the Internet
    Presented by The Blues Foundation
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    blues picture This year marks the tenth anniversary of Hey Baby! records, the company started by bluesman Dave MacKenzie. All three of his previous albums were very well received on both sides of the pond. MacKenzie's latest effort, "Solo," where he concentrates on playing acoustic guitar appears destined to follow suit.

    The opener, "That Rainy Day's Comin'," which was inspired by financial advice from Henry Townsend, offers a good snapshot of MacKenzie's talents. He is an adept slide guitarist, with vocals that always fit the song just about right. Like all the tunes here, it was recorded live in the studio. Those listening out for MacKenzie's wry sense of humor have to wait until the third track, "Two Girlfriends," which also features some fine fingerpicking on a song based on a Blind Willie McTell theme.

    All the tunes are MacKenzie originals, with two exceptions. The first is Sleepy John Estes' "Little Laura," where MacKenzie uses slide guitar to fine effect. The only other cover is also dominated by slide guitar, when MacKenzie delivers an impassioned slice of delta blues with Muddy Waters' "Too Young To Know."

    There is plenty of fingerpicking guitar on display too, and when it is combined with MacKenzie's humorous lyrics it is certain to raise a smile on anybody's face. Classic examples of this are "Big Ol' Girls," "If Jesus Comes Back" and "Rats In My Bedroom." The image of 'roaches racing rats around MacKenzie's home on the latter is one that certainly stays with you!

    MacKenzie's more serious side is best exemplified by "Back In The Day," which tackles the notion that things were better "in our day." MacKenzie points out that people went through hard times, and he, for one, does not want to go back. His guitar playing on this one calls to mind some of Lonnie Johnson's finest work, straying towards jazz territory. He also veers into this area with some nice jazzy chording on "She Ain't No Southern Girl," as he highlights the differences between northern and southern girls.

    After "Jumpin' On Jefferson," where MacKenzie name checks two of Nashville's finest blues artists--Marion James and Johnny Guitar Jones--and "Stumblin' Home," MacKenzie rounds off in style with "A Better Way." Once more the tune is dominated by slide, this time shifting more into Gospel territory. Blind Willie Johnson shines through on a rousing song that ensures that you do not forget "Solo" in a hurry.

    "Solo" is another mighty fine album from Dave MacKenzie. Anyone who likes acoustic blues will find plenty here to enjoy. The album works as background music, and equally rewards those who like to analyze the music and/or the lyrics. "Solo" will certainly be in this reviewer's top 10 albums for 2003. Highly recommended.

    www.heybabymusic.com

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