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Carl Weathersby
@ Famous Dave's BBQ & Blues, April 16, 1998

Carl Weathersby
Famous Dave's, 4/16/98
Photo © 1998 by Ray Stiles. All rights reserved
Carl Weathersby sure has a great guitar sound - traditional sounding with some strong Albert King influences. He has that fat, slightly fuzzed sound coming from the guitar and amp, that old time 1950's Chicago sound that is sweet to listen to. He uses a vintage crate 12 amp and said "I put those little small magnets in it so it distorts the sound a little bit. It sounds like what you used to get in the late 50's and early 60's, its a blues sound from the old days." That unique sound set the stage for what turned out to be one of the best shows I have seen so far this year. From down and dirty traditional blues to scintillating Albert King influenced chops this guy can play one mean guitar. His music is direct, biting and impassioned.


Carl Weathersby
Photo © 1998 by Ray Stiles. All rights reserved
During the first set he broke a string and you could tell this has happened before. You can tell he was a real road veteran when he changed the string on the fly without missing a beat. He even has this interesting battery powered key turner that cinched the string up tight in no time. The only other person I have seen recently who broke more strings was Tab Benoit last year at the Cabooze (the only difference was Weathersby changed his OWN strings right in the middle of the song).

Carl had some strong musical support from Calvin Skipgaskin on bass and Chucky Watts on drums. These guys knew how to PLAY, and with just a look from Weathersby they knew when to really "kick it" or take the song into a different direction.

Carl Weathersby
Famous Dave's, 4/16/98
Photo © 1998 by Ray Stiles. All rights reserved
They were fun to watch too. Carl and Calvin (the bass player) had these little dance steps going on all night. They almost appeared choreographed. And they weren't just the same old little steps done over and over, these guys came up with an entertaining and varied routine. I asked them if they practiced those movements and they just laughed and said no they just kind of follow each other's lead up there. They had the "hip swirl," the " back and forth body swing," the "side to side step," the "little hand clap and body swing," the "military marching steps," and the "step and glide routine." I still chuckle just thinking about it.

Weathersby likes to wander around while playing, back and forth on the stage or out in the audience. One time he even wandered back stage - who knows what he was doing. I asked him later if it was the ribs Famous Dave had brought back during the break he was sneaking a bite of and he said there is no way he could play with that on his hands and in his mouth. Later he even wandered out into the hall of Calhoun Square playing to some surprised late night shoppers.

Tom Hunter joined the band on keyboards during second set at Famous Dave's request. Carl was a little skeptical at first and was going to test him on an easy song to see what he was made of. So they did the John Hiatt song "Feels Like Rain," found on Weathersby's "Looking Out My Window" CD. Carl turned this Buddy Guy hit into a beautiful soul ballad and Hunter must have passed mustard because Carl was having a great time the rest of the night playing off of Hunter's frantic keyboard playing.

Born in Jackson, Mississippi, November. 24, 1953, Carl moved to Chicago when he was 11. He grew up surrounded by blues and gospel -- one of his cousins was Baby Doo Caston (who played with Willie Dixon). He said some of his guitar influence were Albert King, BB King, Little Milton, and Jimi Hendrix.

Last year he released his second solo Evidence album "Looking Out My Window." Prior to that time he spent a decade and a half as the driving force behind Billy Branch's Sons of Blues band. In the late 70's and early 80's he also spent time on the road with Albert King. When asked about his time on the road with King Weathersby said, "It was hard to stay (with Albert) full time. He was demanding, but that's the way most people that try to master their art are. The coach of the Vikings is not going to settle for slop, and that's the same way with Albert, he demanded that you give him your all when you played his music. There was no way you can watch Albert King and not see something or feel something when he played, I don't think it was possible because he played with so much emotion."

When he started playing guitar as a teen he said his father always had musician friends stopping by the house. One that used to come by often was this big guy who happened to be watching the young Weathersby practicing some Albert King songs on guitar one day. Carl said he had been practicing this one song called "Cross Cut Saw," playing it over and over until he said "I think I got it." So I started playing it and this guy said "man, that ain't the

Carl Weathersby
Photo © 1998 by Ray Stiles. All rights reserved
way that song goes, that ain't the way I played it." It turned out to be Albert King who proceeded to show a young and amazed Weathersby just how it was supposed to be played. Albert King offered some welcome encouragement to Carl and took a liking to the young lad even hiring him as his rhythm guitarist for brief road stints in 1979, '80 and '82.

Before turning to music full-time Carl labored at an Indiana steel mill and worked as a policeman and a prison guard. This gave him some first hand experience into what the blues is all about. This is one powerful blues performer that will leave you amazed and thoroughly entertained.






Mailbox E-mail Ray Stiles at: mnblues@aol.com

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Copyright © 1998 by Ray M. Stiles
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