Photo © 1998 by Steve Felling All rights reserved |
Little Charlie & the Nightcats played on Hammond's last two
albums, but until this night they had not shared the stage for about six months. The show started off with a solo acoustic set from Hammond, who seemed to have the lion's share of fans there. Long, lanky and lean as always, Hammond took us way down to the Delta with some finger-picking, slide, harp and vocals that just poured out of him, dripping with feeling. This was blues in its purest form, played the way it's supposed to be played. Hammond is one of those guitar players who manages to extend his licks to the point where you wonder how he's going to fit it all in and still come out on the other side without throwing off the timing.
Other than a mid-song tuning problem (which was handled on the
fly in a very professional manner), the set was just wonderful. Many tunes were in the key of E, typical of the style being played. It didn't take long to realize that this is a man who lives, breathes, and sleeps the blues- 24-7.
Photo © 1998 by Steve Felling All rights reserved |
Wild and crazy front man (harp, vocals) Rick Estrin was dressed
to kill as usual, sporting a black and white pin-striped suit with black shirt, striped tie, and black and white wing tips. He charmed and entertained the crowd with his silly on-stage antics and stories within a song, at one point straddling Ronnie James Weber's stand-up bass as Weber played it practically upside down. Fans got to get in on the fun as the drummer led them in chants of "Dump That Chump!" during the song of the same name. Other crowd favorites included Smart Like Einstein, The Booty Song (I Love to Watch You Walk Away), and Clothes Line, which generated a lot of amusement-especially among those who had never heard it before.
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This show was just a blast and I will remember it for a
very long time.
This review is copyright © 1998 by Ann Wickstrom, all rights reserved.
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Copyright © 1998 by Ray M. Stiles
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