Live Review
    The Harpbreakers
    Millers Snooker Club, Kirkby in Ashfield, UK
    June 1, 2000
    by Gordon Baxter
    1999 KBA Award Winner
    Achievement for Blues on the Internet
    Presented by the Blues Foundation
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    The latest Blues Night at Millers saw Manchester's Harpbreakers entertaining the local devotees with two cracking hours of hot and steamy R&B. The Harpbreakers blend together elements of Chicago and West Coast blues with a healthy dose of British R&B making them sound a bit like a British equivalent of R.J. Mischo pre-"West Wind Blowin'". The songs, mostly taken from their last two albums, "That's Live" and "Come On Down Here", are tailored to fit this style, which means they can tackle songs like Little Walter's "Who Told You" in a Nappy Brown style and carry it off with ease.

    Frontman Nigel Dunne is a singer with a good dynamic range, who knows how to handle a harp. He is also a real live wire, performing one-armed somersaults during a harp solo and then picking up the tune without dropping a beat. The other live wire is guitarist Tony Roach. He was certainly exorcising some demons on this particular night, and had Nigel Dunne shaking his head in disbelief after one particularly inventive solo. The range of different blues tones he managed to wring out of one guitar, even with an effects box, was bewildering. His basic style suggests Wilko Johnson and Mick Green as British influences, and he included some nice reverb in the Hollywood Fats/Junior Watson tradition.

    Among the original songs were the excellent "Let Me Be Your Lover" which starts out a bit like "Do The Hip Shake", and the Feelgoods like "That's Life". The covers (mostly originating from the West Coast or Chicago) included a rousing (and highly appropriate) "Good Rockin' Tonight", and a heartfelt "That's All Right". The latter was taught to Nigel Dunne by Lefty Dizz on his last ever tour of the UK.

    The Harpbreakers are one of the best British R&B bands around, and have the same sort of spirit and gusto that used to be confined to Canvey Island. Although they sound very good on their live CDs, they are much more entertaining in the flesh. Catch them while they are hot.


    This review is copyright © 2000 by Gordon Baxter, and Blues On Stage, all rights reserved. Copy, duplication or download prohibited without written permission. For permission to use this review please send an E-mail to Ray Stiles.

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    Mailbox E-mail Ray Stiles at: mnblues@aol.com

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