Ross William Perry
The Blues Saloon, 10/23/98
Photo © 1998 by Tom Asp. All rights reserved
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I'm not sure which was more fun: watching the incredible Ms. Davies or discovering that Minnesota has sprung another fine young blues guitarist, Ross William Perry-only this one is actually FROM Minnesota. Perry is from St. Louis Park and is just eighteen.. This was his first gig with his new band, bassist Damon Lee and drummer Lee-jay Lira. Hats off to the Blues Saloon for giving Ross the opening slot here. There was a lot of competition that night, with James Cotton in town as well as Bill "the Sauce Boss" Wharton. But the group of 70 or so assembled at the Blues Saloon, including Debbie Davies herself, was absolutely charmed by Ross and his band as they warmed up Debbie with a short but powerful set. Ross wears a big ol' floppy hat on stage and something tells me he intends to wear it always, making it his trademark. The band played the Stevie Wonder/SRV classic, "Superstition", an original called "In the Shadows", and a handful of blues classics including "Hideaway", "Going Down", and "San Ho Zay", which was delivered with a unique, rockin' groove. Ross has a definite Stevie Ray influence but there's plenty more there. He got his first guitar at the age of four and made his first stage appearance at seven. You may not have heard of him yet, but you will. The Ross William Perry Band - check 'em out!
Debbie Davies
The Blues Saloon, 10/23/98
Photo © 1998 by Tom Asp. All rights reserved
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When it comes to Little Debbies, this one takes the cake.
Debbie Davies is a small woman with a huge talent. She, too, had just a
three-piece band. After her opening song she thanked Ross and said,
"You guys must be doing something right up here!" She played most of
the songs on her new CD, 'Round Every Corner. "Such a Fine Man" is, in
Debbie's own words, a Memphis kinda thang. "Sitting' Here Cryin'" is
basically a western swing tune, something you might associate with a
band like Asleep at the Wheel. Debbie sings it with a great country
flair, right down to the break in her voice. We also heard "Little Sister", "Backseat Driver", "Time Work Your Magic", "Homework", and "A.C. Strut", an instrumental for her mentor, Albert Collins. It was obvious by the way she
pops the notes that she has spent a lot of time with A.C. It was Little
Walter's "Blue and Lonesome" that really got to me. Her guitar solos
are just impeccable - never a wasted note and SO tasty. And it's not
only
HOW she plays, but WHAT she plays. In addition to great originals by
Debbie and especially by her drummer Don Costagno, she does choice
covers like the B.B. King shuffle "Buzz Me" and Magic Sam's "You
Belong to Me". During the middle of Freddie King's "Sidetracked", she
stopped dead in her tracks, and in the ensuing silence a woman yelled,
"Go
girl!". It was perfect. She went from "Sidetracked" into a swing tune.
Ross William Perry & Debbie Davies
The Blues Saloon, 10/23/98
Photo © 1998 by Tom Asp. All rights reserved
|
At the end of the night Debbie called Ross back up on stage
for a kickin' guitar jam that included "The Sky is Crying". They traded
licks back and forth and both were grinning as big as the Grinch.
Ross later told me that he "went to blues school that night" and
learned a lot by watching Debbie. Debbie Davies is so good, I think just
about any guitar player-regardless of age or experience-could learn
something from her. She is woman, hear her roar!
This review is copyright © 1998 by Ann Wickstrom, all rights reserved.