CD Review
    Alvin Youngblood Hart
    "Start With The Soul"
    Hannibal Records (HNCD 1449)
    by Stephen Davidson
    Review date: July 2000
    1999 KBA Award Winner
    Achievement for Blues on the Internet
    Presented by the Blues Foundation
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    An amalgam of the different cultures that form their musical landscape, the evolution of music is perpetrated and advanced through the musical craftsmanship of artists like Alvin Youngblood Hart. Although based in the blues, Alvin has never limited his scope of artistic vision to any one particular idiom. Instead, he pushes, pulls, twists, and remolds the musical framework of his songs to fit his mood and manipulate the threads of many different styles into a tapestry of his own design.

    "Start With The Soul" is another example of his virtuosity. Alvin weaves his third album with straight up rock and roll, threads of jazz, ragged blues, a touch of soul and a little electric country. Through it all he remains true to himself and doesn’t try to conform or mold himself into someone else’s vision. Instead, he carefully crafts statements of who he is and what he’s thinking about. In "Fightin Hard," he reflects on what we have to do to survive. In "Manos Arriba," he formulates his frustration at being categorized by a profile and judged by the same. The eerie aura of "Electric Eel" is mesmerizing with its haunting anger. He conjures up the essence of Robert Pete William’s eclectic acoustic blues in "A Prophet’s Mission," a warning, if not a vision of the future and he ends the album with a salute to the origins of his deep blues roots. A nasty electric low-down ragged blues, the signature guitar lick of Tommy Johnson’s raging from his guitar, calling up the deep blues from way, way down.

    "Start From the Soul," by Alvin Youngblood Hart provides a taste of what a musician is artistically capable of if given the freedom to explore and record a CD in their own way. He steps out of the shadow of any one particular formula and explores the musical world at large, creating a mixed album of various components, yet retaining his individuality. We look forward to watching his continued growth and exploration as a "life student" of music.

    Produced by the legendary Jim Dickinson.

    Hannibal Records, Rykodisc, Ryko Palm 4 Columbus Circle 5th Floor, New York, NY 10019 www.rykodisc.com

    Management: TriTone Artist Management, 415.332.7995 , tritone3@earthlink.net
    Booking: Ted Kurland Associates 617.254.0007 agents@tedkurland.com

    This review is copyright © 2000 by Stephen Davidson, and Blues On Stage, all rights reserved. Copy, duplication or download prohibited without written permission. For permission to use this review please send an E-mail to Ray Stiles.

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