CD Review
    Sonny Black
    Blues Of A Kind
    (Free Spirit FSCD002)
    by Gordon Baxter
    Review date: October 2002
    "Keeping the Blues Alive Award"
    Achievement for Blues on the Internet
    Presented by The Blues Foundation
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    blues picture A new album from Sonny Black is invariably a treat. His latest effort, "Blues Of A Kind," released on his own label, merely serves to enhance his reputation as one of the best guitarists around. The only real surprise is that it has taken until now for Black to be voted best guitarist in the British Blues Connection awards, despite long being mentioned in the same breath as Peter Green and Eric Clapton by people in the know.

    From the moment the album opens with the twangy guitar of "Night Drive" you know that you are in for a treat. The combination of blues and jazz is what hallmarks much of Black's work. When you blend his classy guitar with the expertise of keyboard player Bob Haddrell and a rhythm section that is always on the money--George Pearson (bass) and Damon Sawyer (drums)--you get one of the finest bands around.

    All of the tunes bar one are originals, and all are instrumentals. There is enough variety in style and tempo, however, to ensure that everyone remains interested. When you can make the guitar sing like Sonny Black, you do not always need a vocalist anyway. He has that great knack of knowing when not to play which is just as important as knowing when to play.

    For the most part, Black sticks to electric guitar, but he digs out his steel guitar for three tracks. The first, "Delta Swing," demonstrates that you can lead a band using acoustic guitar and still make things swing. The rendition of Charlie Patton's "Some of These Days," has poignancy, rather than the brooding intensity of the original, whilst "Strollin' Home" has a great pre-war blues feel to it even though it is a Black original.

    The other tracks are all infused with varying amounts of jazz. "Cafe Cuba," for example, has a Latin tinge, whilst the title track is exactly as it suggests: "Blues Of A Kind," albeit a slightly jazzy kind. All of the tracks are good, and it is very difficult to single out the best one. "Just Enough" sneaks the vote, mainly for the particularly fine guitar work, and Lee Badau's excellent honking sax which adds yet another dimension to the band's sound. After that the album rounds off with the nicely contrasting laid back feel of "Jacqueline," which simply leaves you wanting more.

    "Blues Of A Kind" is a classic album, delivered by a class act. People with an interest in music that comfortably straddles the blues/jazz boundary (think Kenny Burrell, Grant Green, Dave Spector and so on) will lap up "Blues Of A Kind." More widely, anyone with an interest in top quality guitar playing will find plenty to admire here. "Blues Of A Kind" is one of the best albums of the year, without any shadow of a doubt.

    Visit www.redlick.com to pick up a copy.

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    This review is copyright © 2002 by Gordon Baxter, and Blues On Stage at: www.mnblues.com, all rights reserved. Copy, duplication or download prohibited without written permission.
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