CD Review
    Popa Chubby
    How'd A White Boy Get The Blues
    (Blind Pig Records)
    by Dick Houff
    Review date: October 2001
    1999 KBA Award Winner
    Achievement for Blues on the Internet
    Presented by the Blues Foundation
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    blues picture Another great debut for the year 2001! Popa Chubby hails from "The Big Apple" melding a variety of street sounds from hip hop, punk, straight-up rock, R&B, into an unadulterated blues format. The New York sound is as complex as the city itself. The city has produced a wealth of talent over the years-Reverend Gary Davis, and Son House, both notable transplants, were at home in New York (Son, Rochester, NY). The clubs that graced the streets during the 60's, brought national attention to the local natives-most notably, John Paul Hammond, and on any given night; you can still find a blues act going from dusk till dawn. On this disc, Popa Chubby put a lot of sweat, and hard work into catching that special sound-and it's all there! Take the first song: "Popa Played The Guitar." The slide work has that special liquid sound you get from a spider bridge (resonator/Dobro)-very sweet-takes a turn into a metal raunch zone, and all hell breaks out! His vocals are from the gut; on some of the tracks, it sounds as if he's singing through a vintage Echo Plex with a tube effect. A very nice feature for blues with the old analog tape recordings-very cool. However, the dynamics of the 21rst Century are quite apparent throughout the session, and Chubby doesn't cut you any slack. All ten tracks are beyond satisfying with more than enough standouts to whet your appetite. Highly recommended.

    This review is copyright © 2001 by Dick Houff, and Blues On Stage, all rights reserved. Copy, duplication or download prohibited without written permission. For permission to use this review please send an E-mail to Ray Stiles.

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    E-mail gif Ray Stiles at: mnblues@aol.com

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    Copyright © 2001 Ray M. Stiles
    All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, or any information storage or retrieval system, without permission in writing from the author. Blues On Stage is a ® Trademark of Ray Stiles.