The album was recorded live in the studio over two days, and band drop right into the groove on the opening title track. It is a classic example of the Chicago sound from a bygone era, and all the better for it. Gray is omnipresent without ever being overpowering, and there are some fine solos from Napolean Martin (sax), top Louisianian guitarist Paul "Buck" Sinegal (ex Clifton Chenier, Rockin' Dopsie and Buckwheat Zydeco) and Brian Bruce (harp). Stir in a tight rhythm section, and Gray's laid back vocals and the table is set for a feast.

The band stay locked in Chicago mode for the most part, but venture south into Louisiana to great effect on tracks such as "Shake A Hand" and "Cold Chills." These songs show that there is a more subtle side to Gray's piano playing which is often overlooked. Perhaps the best showpiece for Gray, however, is the solo piece "How Could You Do It," where he just rolls along on his own, accompanied by rhythm clapping from the band, which turns into well deserved spontaneous applause at the end.

By the time the album gets round to the instrumental "Scratch the Cat" the band are obviously fully warmed up, and having a ball. On this track, all the frontmen get a chance at taking their turn in the spotlight, which they gleefully accept. The only downside is that the track fades out too soon.

The penultimate track, "Keepin' the Blues Alive," is a homage to Gray. It was written by bass player and manager Andy Cornett, who also features on spirited vocals. Martin and Bruce, both turn in fine performances once again on sax and harp respectively. The album then closes out on another high with "Showers Of Rain."

"Watch Yourself" is a thoroughly enjoyable album, which does not break any new ground, but is none the worse for it. What you do get, however, is good, honest, hard working blues, played with a smile, by a tight, entertaining band. We should all tip our hat to celebrate the fact that Henry Gray shows no signs of letting up. Pick up a copy via Gray's web site (www.henrygray.com).

This review is copyright © 2001 by Gordon Baxter, and Blues On Stage, all rights reserved. Copy, duplication or download prohibited without written permission. For permission to use this review please send an E-mail to Ray Stiles.