The Paul deLay Band
"Nice & Strong" CD Review
Evidence 26091, 11 tracks, 47 minutes
by Tony Glover
Paul deLay is a West coast bluesman (Portland based), which shows in his
jazz/jump combo approach to writing and arranging--he recalls the jazzier
side of William Clarke, if you need a reference. An evocative singer, he's
got chops to burn, with a facile ease on both diatonic and chromatic
harmonicas that outstrips the field. He knows his way around the chrom,
uses the button and plays all over the ax, as opposed to most harpmen who
just use it to do slow blues in D. Crediting the CD to the deLay Band
emphasizes the importance of the unit rather than the frontman--they lock
together well, and frequently when a solo starts it takes a while to figure
out whether it's harp, sax or organ you're hearing. There's a fair amount
of harmony riffing going on as well and it's obvious these guys enjoying
playing together.
This is deLay's 2nd album on Evidence since his release from prison on a
drug bust (with characteristic irony, he says: "how many dealers you know
who rode the bus?"), and again features original material. Delay has a
refreshingly sardonic eye, and turns some nice phrases with songs about the
nitty-gritty of grown up relationships. "She Doesn't Work That Way"
portrays two settled down guys talking 'bout their women, deLay is
celebrating his. "Love On A Roll" is another glad-I-got-you exuberant
number, as is the title track as well.
His sardonic side comes out in "$14 In The Bank" and "I Know You Got
Another Man". The latter begins with the singer chiding a cheating woman,
but as the tune progresses you realize it's all in his head, even tho he
doesn't know it.
"Too Old To Scold" is another preachy number with a twist on the
end..."don't end up like me" he says, voice breaking. There's a nice fat
room sound to most of the album, the only track with any real effects is
the title tune, where it sounds like there's an octave pedal in the loop.
It's not all jumping mid-tempo rides however, the groove slows down on a
lovely heartfelt lost love piece, "I'm Gonna Miss Talking To You". It's
got a Muscle Shoals feel, and deLays vocal reaches deep inside.
This is music of a man talking about the real shit here, and a nice change
of pace--an album where a guys more glad than sad...
This review is copyright © 1998 by Tony Glover, all rights reserved.
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